Explanation of terms
Audyssey Dynamic EQ®
Dynamic EQ solves the problem of deteriorating sound quality as volume is decreased by taking into account human perception and room acoustics.
Audyssey Dynamic EQ® works in tandem with Audyssey MultEQ® XT32 to provide well-balanced sound for every listener at any volume level.
Audyssey Dynamic Volume®
Dynamic Volume solves the problem of large variations in volume level between television programs, commercials, and between the soft and loud passages of movies. Audyssey Dynamic EQ® is integrated into Dynamic Volume so that as the playback volume is adjusted automatically, the perceived bass response, tonal balance, surround impression, and dialog clarity remain the same.
Audyssey LFC™ (Low Frequency Containment)
Audyssey LFC™ solves the problem of low frequency sounds disturbing people in neighboring rooms or apartments. Audyssey LFC™ dynamically monitors the audio content and removes the low frequencies that pass through walls, floors and ceilings. It then applies psychoacoustic processing to restore the perception of low bass for listeners in the room. The result is great sound that no longer disturbs the neighbors.
Audyssey MultEQ® XT32
Audyssey MultEQ® XT32 is a room equalization solution that calibrates any audio system so that it can achieve optimum performance for every listener in a large listening area. Based on several room measurements, MultEQ® XT32 calculates an equalization solution that corrects for both time and frequency response problems in the listening area and also performs a fully automated surround system setup.
The Auro-3D® technology suite is a groundbreaking new audio technology that combines height-based listening formats with powerful creative tools to deliver an unrivaled three-dimensional sound experience. Auro-3D® is the general format name for Sound in 3D and its related speaker lay-outs.
Auro-Matic® up-mixing technology software is a unique creative tool that transforms legacy Mono, Stereo and Surround content into a natural 3D or 2D listening experience.
Introduced first in the cinema, Dolby Atmos brings a revolutionary sense of dimension and immersion to the Home Theater experience. Dolby Atmos is an adaptable and scalable object based format that reproduces audio as independent sounds (or objects) that can be accurately positioned and move dynamically throughout the 3 dimensional listening space during playback. A key ingredient of Dolby Atmos is the introduction of a height plane of sound above the listener.
Dolby Atmos Stream
Dolby Atmos content will be delivered to your Dolby Atmos Enabled AV receiver via Dolby Digital Plus or Dolby TrueHD on Blu-ray Disc, downloadable files and streaming media. A Dolby Atmos stream contains special metadata that describes the positioning of sounds within the room. This object audio data is decoded by a Dolby Atmos AV receiver and scaled for optimum playback through Home Theater speaker systems of every size and configuration.
Dolby Digital is a multi-channel digital signal format developed by Dolby Laboratories.
A total of 5.1-channels are played: 3 front channels (“FL”, “FR” and “C”), 2 surround channels (“SL” and “SR”) and the “LFE” channel for low frequency effects.
Because of this, there is no crosstalk between channels and a realistic sound field with a “three-dimensional” feeling (sense of distance, movement and positioning) is achieved. This delivers a thrilling surround sound experience in the home.
Dolby Digital Plus
Dolby Digital Plus is an improved Dolby Digital signal format that is compatible with up to 7.1-channels of discrete digital sound and also improves sound quality thanks to extra data bit rate performance. It is upwardly compatible with conventional Dolby Digital, so it offers greater flexibility in response to the source signal and the conditions of the playback device.
Dolby surround is a next generation surround technology that intelligently up mixes stereo; 5.1 and 7.1 content for playback through your surround speaker system. Dolby surround is compatible with traditional speaker layouts, as well as Dolby Atmos enabled playback systems that employ in-ceiling speakers or products with Dolby speaker technology.
Dolby Speaker Technology (Dolby Atmos Enabled speakers)
A convenient alternative to speakers built into the ceiling, Dolby Atmos Enabled speakers employ the ceiling above you as a reflective surface for reproducing audio in the height plane above the listener. These speakers feature a unique upward firing driver and special signal processing. These features can be built into a conventional speaker or standalone speaker module. The features minimally impact the overall speaker footprint while providing an immersive listening experience during Dolby Atmos and Dolby surround playback.
Dolby TrueHD is a high definition audio technology developed by Dolby Laboratories, using lossless coding technology to faithfully reproduce the sound of the studio master.
This format provides the facility to support up to 8 audio channels with a sampling frequency of 96 kHz/24 bit resolution and up to 6 audio channels with a sampling frequency of 192 kHz/24 bit resolution.
Gives you control of the listening experience. You can lift the dialog out from the background sounds when clarity and intelligibility are desired.
This requires that content has been authored to support Dialog Control.
This is an abbreviation of Digital Theater System, which is a digital audio system developed by DTS. DTS delivers a powerful and dynamic surround sound experience, and is found in the world’s finest movie theaters and screening rooms.
DTS 96/24 is a digital audio format enabling high sound quality playback in 5.1-channels with a sampling frequency of 96 kHz and 24 bit quantization on DVD-Video.
DTS Digital Surround
DTS™ Digital Surround is the standard digital surround format of DTS, Inc., compatible with a sampling frequency of 44.1 or 48 kHz and up to 5.1-channels of digital discrete surround sound.
DTS-ES™ Discrete 6.1
DTS-ES™ Discrete 6.1 is a 6.1-channel discrete digital audio format adding a surround back (SB) channel to the DTS digital surround sound. Decoding of conventional 5.1-channel audio signals is also possible according to the decoder.
DTS-ES™ Matrix 6.1
DTS-ES™ Matrix 6.1 is a 6.1-channel audio format that inserts a surround back (SB) channel to the DTS digital surround sound through matrix encoding. Decoding of conventional 5.1-channel audio signals is also possible according to the decoder.
DTS Express is an audio format supporting low bit rates (max. 5.1-channels, 24 to 256 kbps).
This audio technology provides higher sound quality and enhanced functionality than the conventional DTS and is adopted as an optional audio for Blu-ray Disc.
This technology supports multi-channel, high data transfer speed, high sampling frequency, and lossless audio playback. Maximum 7.1-channels are supported in Blu-ray Disc.
DTS-HD High Resolution Audio
DTS-HD High Resolution Audio is an improved version of the conventional DTS, DTS-ES and DTS 96/24 signals formats, compatible with sampling frequencies of 96 or 48 kHz and up to 7.1-channels of discrete digital sound. High data bit rate performance provides high quality sound. This format is fully compatible with conventional products, including conventional DTS digital surround 5.1-channel data.
DTS-HD Master Audio
DTS-HD Master Audio is a lossless audio format created by Digital Theater System (DTS). This format provides the facility to support up to 8 audio channels with a sampling frequency of 96 kHz/24 bit resolution and up to 6 audio channels with a sampling frequency of 192 kHz/24 bit resolution. It is fully compatible with conventional products, including conventional DTS digital surround 5.1-channel data.
DTS:X produces a hemisphere of audio, where flyovers as well as ambient backgrounds become truly enveloping. DTS:X objects enable audio to move smoothly from one speaker to any other creating life-like realism.
Enables an immersive audio experience for older content. DTS Neural:X can upmix your stereo, 5.1 or 7.1 content to take full advantage of all speakers in your surround sound system.
Apple Lossless Audio Codec
This is a codec for lossless audio compression method developed by Apple Inc. This codec can be played back on iTunes, iPod or iPhone. Data compressed to approximately 60 – 70 % can be decompressed to exactly the same original data.
FLAC (Free Lossless Audio Codec)
FLAC stands for Free lossless Audio Codec, and is a lossless free audio file format. Lossless means that the audio is compressed without any loss in quality.
The FLAC license is as shown below.
Copyright (C) 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009 Josh Coalson
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
Neither the name of the Xiph.org Foundation nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS “AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE FOUNDATION OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
This is an abbreviation of Low Frequency Effect, which is an output channel that emphasizes low frequency effect sound. Surround audio is intensified by outputting 20 Hz to 120 Hz deep bass to the system subwoofer(s).
MP3 (MPEG Audio Layer-3)
This is an internationally standardized audio data compression scheme, using the “MPEG-1” video compression standard. It compresses the data volume to about one eleventh its original size while maintaining sound quality equivalent to a music CD.
MPEG (Moving Picture Experts Group), MPEG-2, MPEG-4
These are the names for digital compression format standards used for the encoding of video and audio. Video standards include “MPEG-1 Video”, “MPEG-2 Video”, “MPEG-4 Visual”, “MPEG-4 AVC”. Audio standards include “MPEG-1 Audio”, “MPEG-2 Audio”, “MPEG-4 AAC”.
WMA (Windows Media Audio)
This is audio compression technology developed by Microsoft Corporation.
WMA data can be encoded using Windows Media® Player.
To encode WMA files, only use applications authorized by Microsoft Corporation. If you use an unauthorized application, the file may not work properly.
Sampling involves taking a reading of a sound wave (analog signal) at regular intervals and expressing the height of the wave at each reading in digitized format (producing a digital signal).
The number of readings taken in one second is called the “sampling frequency”. The larger the value, the closer the reproduced sound is to the original.
This is an AC resistance value, indicated in Ω (ohms).
Greater power can be obtained when this value is smaller.
Dialogue normalization function
This function operates automatically during playback of Dolby Digital, Dolby Digital Plus, Dolby TrueHD, Dolby Atmos, DTS or DTS-HD sources.
It automatically corrects the standard signal level for individual program sources.
The difference between the maximum undistorted sound level and the minimum discernible level above the noise emitted by the device.
This function converts the number of channels of surround audio to a lower number of channels and plays back according to the system’s configuration.
ISF (Imaging Science Foundation) is an organization that certifies video technicians who are then qualified to carry out calibration and adjustment to match the installation conditions. It also sets quality standards for the optimization of device video performance.
Progressive (sequential scanning)
This is a scanning system of the video signal that displays 1 frame of video as one image. Compared to the interlace system, this system provides images with less flickering and jagged edges.
AirPlay sends (plays) contents recorded in iTunes or on an iPhone/iPod touch/iPad to a compatible device via the network.
WEP Key (network key)
This is key information used for encrypting data when conducting data transfer. On this unit, the same WEP key is used for data encryption and decryption, so the same WEP key must be set on both devices in order for communications to be established between them.
Wi-Fi Certification assures tested and proven interoperability by the Wi-Fi Alliance, a group certifying interoperability among wireless LAN devices.
WPA (Wi-Fi Protected Access)
This is a security standard established by the Wi-Fi Alliance. In addition to the conventional SSID (network name) and WEP key (network key), it also uses a user identification function and encrypting protocol for stronger security.
WPA2 (Wi-Fi Protected Access 2)
This is a new version of the WPA established by the Wi-Fi Alliance, compatible with more secure AES encryption.
WPA-PSK/WPA2-PSK (Pre-shared Key)
This is a simple authentication system for mutual authentication when a preset character string matches on the wireless LAN access point and client.
Network Names (SSID: Service Set Identifier)
When forming wireless LAN networks, groups are formed to prevent interference, data theft, etc. These groups are based on “SSID (network names)”. For enhanced security, a WEP key is set so that communication is unavailable unless both the “SSID” and the WEP key match. This is suitable for constructing a simplified network.
When transmitting digital signals between devices, this copyright protection technology encrypts the signals to prevent content from being copied without authorization.
The room where this unit is placed is called the MAIN ZONE.
Pairing (registration) is an operation that is required in order to connect a Bluetooth device to this unit using Bluetooth. When paired, the devices authenticate each other and can connect without mistaken connections occurring.
When using Bluetooth connection for the first time, you need to pair this unit and the Bluetooth device to be connected.
This is a function to prevent damage to devices within the power supply when an abnormality such as an overload, excess voltage occurs or over temperature for any reason.